Design and Aesthetics by Dominique Thomas.

After creating several instruments inspired by German Baroque organs and in light of the results obtained, it was decided to create an organ of this type. The project evolved over time. Originally conceived as a personal salon instrument, it became a larger organ intended for liturgical use and concerts.

Of course, the aim was not to make just a copy. In this organ, most of the pipes from the Principal 4 stop of the Great Organ are placed in the facade. In this position, this stop provides a solid foundation for the entire tonal structure of the instrument.

For the Flute 4 stop, we applied the "travelling stops" system, allowing this stop to be called either on the Great Organ or on the Positif. This method expands the tonal palette in a way that, while unconventional, is effective, interesting, and reliable.

The aesthetic choice made from the start also allows this organ to be used in concert settings.

Some might perceive certain limitations in this organ. Its composition, keyboards, timbres, and temperament are not exactly what we are used to. But it will yield to anyone who takes the time to understand it and patiently learn its nuances.

May this organ ideally accompany the singing of the community and the faithful, illustrating services through written repertoire or improvisation: music enriches the silence of prayer.